This is cheating. Does one color plus white really equal a palette? I don’t know, but I have always loved the classic red and white quilts, so I’m giving myself a pass.
What I love is that, a red and white quilt made 100 years ago looks just as fresh as one made this year- and it’s often hard to tell from photos if a red and white quilt is old or new.
Did you hear about the fabulous exhibit of red and white quilts that the American Folk Art Museum put on in NYC back in 2011? These 650 quilts are all from the collection of Joanna Rose and, if I remember correctly, the exhibition was a gift from her husband to celebrate a milestone birthday, and was made free to the public.
At the PA National Quilt Extravaganza (held outside of Philadelphia) last year, there was an exhibit of small quilts inspired by the exhibit in New York. I photographed a lot of them. I don’t have info on the makers of all these, but they are all from members of the Olde Kent Quilters Repro Bee of Chestertown, MD.
(Many more red and white minis on my Flickr Page)
I have always wanted to own a solid red and white quilt, but I wasn’t sure I would have the patience to make it. I tend to get bored making the same block over and over. Now as I am getting older I think maybe I would be able to do it.
Like the process might actually be soothing instead of mind-numbing. I could keep it around for a while and work on it any time I wanted to sew, but not wanted to think. That’s most nights these days, after the wild things are all tucked away
Lately I have been seeking out blocks like this one:
It seems so simple, but you can build up complex patterns by spinning them different ways as you assemble the quilt. I think it would help to keep the construction process interesting, because as you complete more and more blocks, there is the fun of putting them together in different directions to see what patterns you can get.
Which layout do you like? I’m partial to 2 and 3, myself. 2 especially, because I don’t think I’ve ever seen that before.