I’m not sure I started out to create a summer-into-fall palette, but that’s definitely what’s on my mind these days so I’m not surprised! I am so ready for apple cider, apple pie, cold nights and bright sunny afternoons, planting winter greens, picking up my knitting needles, watching the leaves change color and then drop… Summer in Maryland is no celebration in my book, but here the Fall seems to stretch out forever, and for that I will be grateful.
Once again Pink Chalk Fabrics had just what I had in mind in stock- rich, warm fall colors set off by a few pale summery greens. Perfect.
I love this star block which I first saw on the blog of Eleven Stitches, who got the block out of Carol Doak’s book 50 Fabulous Paper-Pieced Stars. I am not a machine-paper-piecer so I modified it to something that I would enjoy doing. I figured you could do this in slightly- improv- fashion and love the results just as much! (Or in my case, much much more!)
In real life this would look scrappier -especially where the corners meet- but my I do have my limits when it comes to Photoshop time. 🙂 Now I’m off to place a little fabric order to celebrate Fall’s arrival. Oh and a little knitting as well. So happy this time of year!
I am dreaming about our trip to the beach in a few weeks… Since we homeschool, we have the luxury of waiting to go until September, when everyone else is back in school and the beach is nearly deserted during the week. And the weather is so much nicer, too! I think that going to a beach packed full of people in the searing summer sun is pretty miserable, trying to keep track of all the kids in the crowd and watching your camera and feeling faint from the heat. But last September it was cool and nearly deserted and we had free reign, casting far and wide for interesting shells and digging pools in which to keep the sand crabs we kept finding. I can’t wait to go back!
I used a favorite pic of Evelyn from last year to make up this soothing little color palette. That was her first time at and she was perfectly content to stay well away from the water. She’s going to be so different this year!
As always it was a joy to “shop” Pink Chalk Fabrics for the fabrics for this mock-up! The muted blues are cool and soothing, and the tan makes the quilt cozy and comfortable as well. The pop of pink is a cheat, I guess, since I didn’t find it out there at the beach, but I love the spark that it brings to the palette. I like to use tons of neutral fabrics to build a wide, stable base of color, and use that to support just a sprinkling of something wildly different. The pattern is a classic called Kaleidoscope, and it’s been on my dream to-do-list for years. Hopefully someday?
I love how spring is so much more than green. In the hills around here, the first colors of spring aren’t really green at all, it’s the reds and golds and ochers of the flower buds that the trees sprout before they start to leaf out. It’s like a little preview of what’s to come in the fall, and it’s glorious, albeit brief.
I took this shot of a red maple in the beginning of May, when the leaves were fresh and young. Creamsicle, ocher, lime, chartreuse, against a bright white-blue sky. So rich. Coral wings on the bright green seeds are an extra surprise. By the time summer is in full swing, the leaves will be a dull dark green, so why not immortalize the spring colors now in a quilt?!!
Thanks Pink Chalk Fabrics for use of the fabric images!
This pale blue glass bottle came from an antique mall nearby. A few weeks ago when Garrett took the kids for a weekend at his parents’, that was the first place I headed. I was actually looking for cobalt blue glass, but the first rule of antique malls is that if you go in looking for something specific, you are sure not to find it! I was bummed at the time, but since bringing this (and a few friends) home, I realized that this color goes with just about anything! Today I’m pairing it with pale green for a nice soothing palette. I have plans, though, to pop in some orange flowers and lots of white linen in the background. I think that will be just smashing. Have to order the flowers though.
For now let me say though that if anyone wants to make this quilt for me, I pay in fabric.
One thing that really charmed us on our visit to Seattle last month was these adorable flowering cabbages. They were everywhere, planted in medians and parking lots and flower pots. We have these back east too once in a while, but by February they are looking pretty haggard. These were so fresh and lovely. And my favorite shade of orchid-pink-lavender.
I have been wanting to make a spiderweb quilt for a long time. After one disastrous attempt at using true scraps, I realized that I would need to actually plan my color scheme in order to like my final project. This would be so fun to make! I would use really thin strings and not try to keep them rigidly straight, but not make them intentionally wonky, either. Just enough variation to show the human hand. Of course I would make it scrappier than this mock-up. This pattern just begs to be made scrappy.
I would also love to just make a pile of cushions, each one a variation of this block, in all different sizes.
My fabric images this time are courtesy of eQuilter.com. I divide my fabric money pretty evenly between eQuilter and Pink Chalk, so I am thrilled that they have both given me permission to use their images for this feature! Going forward I’ll be switching between the two.
So, I went to Seattle a couple of weeks ago. My first time anywhere on the west coast. I am in love. I simply adored the weather when we were there. 40s and misty/foggy most of the day, but somehow still bright and pleasant. It was just beautiful. So many shades of grey. The filtered light made all the flowers simply glow. Yup, flowers in February. But mild in the summer. What a lovely climate…
We went for a walk at the Bellevue Botanical Gardens one morning. We were still on east coast time, so we were up and ready hours before anything was open, which left us hours to leisurely stroll the gardens and snap photos. It was so serene. One of the first things to greet us was this spectacular witch hazel. Remember now, this was early February- so, it’s winter!
The crisp yellow against the foggy trees was almost too much- we could have gone back to the car at that point and I would have been satisfied.
What are those scraggly pine trees in the background? Larch? I think it’s the same one that is on the Oregon License plate. I love their irregular shape so much. Our boring old spruces with their perfectly triangular forms just can’t compare.
Anyway, the witch hazel. As if it wasn’t enough to find a sunny yellow flower against a foggy grey sky, each flower emerges from a base of deep rusty red. That little bit of rust does a lot of things here- it warms up what can be a very stark color combination, It adds a third color which can be useful when planning the design of a quilt, and I think it gives the composition a more organic feel.
Fabric images courtesy of Pink Chalk Fabrics
My quilt mock-up is obviously a pretty literal interpretation of the blooms. I think it would be fun to sew these free-form. Because machine paper piecing is just not my thing. It really wouldn’t take too long, right? Sew, press, trim, then add the little rust triangle, repeat. I have a quilty weekend coming up, so maybe… I think for this one, I would hand quilt some irregular wavy lines, sort of mimicking the branch structure, from the bottom right up to the top left.
I went back and recolored my Candy Hearts Quilt with these fabrics as well. Because that quilt was really bright 🙂 Love this.
I also want to share a quilt I have admired for years, Witch Hazel by Ruth B McDowell. This photo is from her book Fabric Journey. It’s one that I have probably stared at for hours, trying to absorb all the fabric information that is incorporated into the work. I adore all the pale greys she used for the background of this quilt, especially the one at the top with the branches.
This is cheating. Does one color plus white really equal a palette? I don’t know, but I have always loved the classic red and white quilts, so I’m giving myself a pass.
What I love is that, a red and white quilt made 100 years ago looks just as fresh as one made this year- and it’s often hard to tell from photos if a red and white quilt is old or new.
Did you hear about the fabulous exhibit of red and white quilts that the American Folk Art Museum put on in NYC back in 2011? These 650 quilts are all from the collection of Joanna Rose and, if I remember correctly, the exhibition was a gift from her husband to celebrate a milestone birthday, and was made free to the public.
I wish I could have seen that. I’m sure it was a once in a lifetime chance.
At the PA National Quilt Extravaganza (held outside of Philadelphia) last year, there was an exhibit of small quilts inspired by the exhibit in New York. I photographed a lot of them. I don’t have info on the makers of all these, but they are all from members of the Olde Kent Quilters Repro Bee of Chestertown, MD.
I have always wanted to own a solid red and white quilt, but I wasn’t sure I would have the patience to make it. I tend to get bored making the same block over and over. Now as I am getting older I think maybe I would be able to do it.
Like the process might actually be soothing instead of mind-numbing. I could keep it around for a while and work on it any time I wanted to sew, but not wanted to think. That’s most nights these days, after the wild things are all tucked away 🙂
Lately I have been seeking out blocks like this one:
It seems so simple, but you can build up complex patterns by spinning them different ways as you assemble the quilt. I think it would help to keep the construction process interesting, because as you complete more and more blocks, there is the fun of putting them together in different directions to see what patterns you can get.
Which layout do you like? I’m partial to 2 and 3, myself. 2 especially, because I don’t think I’ve ever seen that before.
When Evelyn Bea was just a wee babe, we took a day out to visit Hershey Gardens, to enjoy the sights and take some pictures. It was a hot summer day and the sun was high in the sky by the time we got there, but as a mom-of-a-newborn I was just happy to be out of the house and in a beautiful spot with said newborn sleeping cozily in her sling.
The roses were in their full glory that day and even though I’m not usually a rose kind of person, I do love the colors I captured that day.
Soon Evelyn will graduate to her own big girl bed and I’d love to make her a new quilt using sweet girly prints and rosy hues. A little bit of pale sky blue would ground all that pinkiness and add depth.
And lots of white would keep it light and fresh for a little girl’s room.
This quilt would be so easy to cut and piece. When I piece by machine, I like it to be something I can just sit and chain-piece without thinking too much and this definitely fits the bill. If I want to fiddle with a bunch of little pieces that have to go together in just the right way, I’d rather be in a comfy chair away from the machine, English Paper Piecing. Nice and easy, that’s my machine piecing style!
This picture was taken in central Pennsylvania, where I grew up. The rolling hills are so lovely there and the lavender mountains were always there in the background, something I never really noticed until I moved to Maryland and there weren’t any. I miss them terribly. Now when we drive back home, I watch all the scenery go by my window and I try to soak every minute of it in.
As I’ve been making this palette I’ve been dreaming of fixing up the little church and making it my studio. What an inspiring view of the valley I would have! I could build a little deck off the back and have coffee and paint the sunset. But I have these fantasies about every derelict old structure we see, from something relatively intact like this church, to the house I used to pass on my way to work that had nothing left but its stone shell. Something in me just wants to save them. Because someone else put so much of themselves into making them. If I retire a billionaire, I will save old houses for fun and sell them to people who will love them. But anyway, the quilt…
I was in the mood for a very low-volume quilt this week. Nice and soothing. So I based the quilt on the white and greys of the church and added the chartreuse and ginger just as little accents. And I would bind it with this Chicopee print.
Aren’t these foxes wonderful? I can totally picture them slinking around in this scene. I had never heard of Sarah Watts before, but I love her Timber & Leaf collection! I would sew a big piece of these guys into the back of this quilt.